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Ballet Star Matthew Ball on Grueling Roles and Social Media Scrutiny: 'I Don't Feel Precious About My Body'

Within the quiet atmosphere of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. His posture is effortlessly straight-backed, his limbs defined beneath a plain white T-shirt. During performances, dancers can appear as powerful gods, yet often offstage they are small. Not so Ball, whose tall stature is one reason for his demand for heroic roles and pas de deux work. With fine features and intense eyes, there's a hint of Robert Pattinson about him.

An Apparent Rise to the Top

Now 31, Ball is experiencing the peak of a career that has progressed seamlessly. Raised in Liverpool, he encountered minimal teasing for his early interest in ballet. Entering the esteemed training institution at 11, he moved straight into the troupe and was promoted each year, attaining the top rank of lead dancer in 2018. He has loved tackling meaty dramatic roles, particularly the psychological turmoil found in a famed choreographer's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

His next featured appearance is as himself, in an "Evening With" event designed to offer behind-the-scenes perspectives into a performer's art. He will walk the audience through a part, demonstrating his mental workflow during execution. Yet in lighter works, the challenge is significant. "Don Quixote is one of the toughest from a skill perspective," he notes.

The Mental Game and Post-Performance Emotions

What about after a performance, when he has succeeded? "It's pretty good," he says. "However because I'm trying to squeeze all the juice out of it, and get immersed in the role, quite often I do feel self-conscious later. Following Mayerling I'm always like: Wow, what must people think?"

Offstage, Ball is reflective, mild-mannered, and quick to laugh at himself. But a choreographer previously remarked on a "kind of suffering in him." Is there? "I am very active in general, but I do have a melancholy streak," he confesses. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an instigator for good change."

Early Drivers and Artistic Inspirations

Ball's tenacity stemmed from early setbacks. Not doing well in competitions at school made him "driven!" It was fuel to prove he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.

The next endeavor is making his own dance works. For Ball, "there's nothing wrong with." "Breaking the conventions is interesting, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing ideas from books, music, and painting.

Intimate Performance and Personal Dynamic

He additionally favors presenting dance in smaller venues. "It was just really exciting," he says of a previous experience. "You’re so close to the audience. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"

Ball has made duets with his girlfriend, fellow principal Mayara Magri. The degree of trust between them is clear. "We tried it out on the beach first," he says of a daring lift. "It resembled Dirty Dancing." The couple aren’t usually matched on stage at their home company, which is perhaps beneficial. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s biggest supporter."

Regarding Instagram and Bodily Perception

On Instagram, fans can see clips from his projects and images that showcase a athletic physique. Does he mind that the response can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to seeing Michelangelo’s David—an object that can be interpreted on various ways.

Ball characterizes his early self as "eager for success." Has it met his expectations? "I am conscious of how reality is a separate thing to the aspirations you had as a child," he reflects. He likely has another ten years of dancing left. "I guess in the future, I want to be a bit more kind with myself."

KR
Written by

Kevin Reed

A seasoned journalist specializing in international relations and geopolitical trends, with over a decade of field experience.

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